- NATIVE INSTRUMENTS BATTERY 4 REVIEW GENERATOR
- NATIVE INSTRUMENTS BATTERY 4 REVIEW MOD
- NATIVE INSTRUMENTS BATTERY 4 REVIEW SOFTWARE
- NATIVE INSTRUMENTS BATTERY 4 REVIEW SERIES
NATIVE INSTRUMENTS BATTERY 4 REVIEW MOD
The Mod Osc is routed via a small matrix (as in the screen below). Massive doesn't have this provision, instead opting to use this extra oscillator. In some synths you can cross-modulate the main oscillators to create FM or ring-modulation-style effects. Instead of being added to the mix, this can be used to modulate the other oscillators and the filters. The latter is not an LFO, as you might think, but a sine-wave oscillator running at audible frequencies.
NATIVE INSTRUMENTS BATTERY 4 REVIEW GENERATOR
In addition to the three main oscillators there's a noise generator and a Modulation Oscillator. Finally, Formant mode gives results somewhere between a formant filter and oscillator sync. Depending on the wavetable, this sounds like a subtle FM or pulse-width modulation. There are then three Bend modes, which modulate the speed at which the wave plays back over the length of each cycle.
In the default Spectrum mode, the knob determines how many harmonics are included in the sound, so has a similar effect to a low-pass filter. An Intensity knob further shapes the basic sound in various ways determined by the mode selected in the menu above it. Each oscillator's Position knob sets a starting point in the wavetable, which, without further modulation, will simply produce a static waveform from the oscillator. Like the classic PPG Wave synths, most of the sounds are 'synthy', while a few (such as Guitar Pulse) can be used to model real instrument sounds. Nearly all Massive 's tables provide a smoothly morphing sound when scanned. Of course, what's really of interest is how the tables sounds when the oscillator scans through them. The first few tables provide the familiar saws, squares, triangles and sine waves, but there is a practically unlimited supply of raw materials in the tables, from familiar organ or synth sounds to weird and wonderful digital waves. The wavetable list gives Massive's oscillators a large number of sonic starting points.Each of Massive 's three main oscillators has over 80 wavetables to choose from, divided into four categories (see the screen below). If the waveforms in a wavetable are arranged so that they change incrementally from one to the next, you can scan through the table and create smoothly evolving sounds. More interestingly, though, if you can modulate the wave selection control, you can create sounds that change over time. A wavetable with many waveforms to choose from gives you lots of sonic starting points to play with. You could then select whether the oscillator played a sine or a square. For example, you might have a simple wavetable that consisted of a sine wave and a sawtooth wave. Wave FunctionĪ wavetable is a 'stack' of sampled single-cycle waveforms that a synth can read from and use as its oscillator shapes. The result is a synth that really does reach unprecedented heights in sound quality for a virtual instrument, but gives your computer a thorough workout getting there. When I visited Native's headquarters in August, Massive 's Product Manager told us that their top priority was to take a leap in sonic quality, even if this meant pushing even recent computers to their limits. But where Massive really aims to plant its flag is on the high-ground of sound quality. However, the sound generation technique is not the main area where the synth aims to break new ground.įirstly, Massive has been designed to pack an unusually large number of highly versatile modulators into a fast and understandable user interface. Wavetable synthesis is seeing a resurgence in popularity lately, and Massive 's oscillators are some of the best implementations of the concept I've seen. Massive is a semi-modular wavetable synthesizer with lots of routing flexibility and a wealth of modulation and control options. In order to catch up with them, we're going to look at not only their brand-new stand-alone synth, Massive, but also at the lastest versions of Absynth and the sucessor to FM7, FM8 - and we'll take a quick look at Kore v1.1 and the contents of Komplete 4.
NATIVE INSTRUMENTS BATTERY 4 REVIEW SOFTWARE
Native Instruments have been one of the most prolific music software developers in recent times, but even by their own standards they've been particularly busy lately. Is Native Instrument's new stand-alone soft synth as big as they say it is? This pack is once again filled with more grooves than you can get your teeth into using some Evilglamour signature programming tricks for your perusal.A 16-step Performer module, with two crossfading modulation sequences.
NATIVE INSTRUMENTS BATTERY 4 REVIEW SERIES
Evilglamour bring to your attention ‘GROOVE CODE’ the 3rd release in their successful Native instruments Battery 4 series